THE AUTHENTIC PHOTOGRAPH with Bil Zelman

This workshop is for any photographer who wants to create and photograph truly genuine expressions; who’s primary subjects are people and who’s wish is to get inside their subjects’ heads and entice them to feel and react to things in a way that feels natural, in a way that’s prescribed, directed and controlled by you.

This class is limited to twelve participants, includes lunch with local beers. 100% of the proceeds go to the San Diego chapter of American Photographic Artists.

Through casual and entertaining roundtable style discussions, demonstrations, shoots and visual case studies, Zelman will walk you through a variety of shoot situations and send you home inspired and with fresh new thoughts on how to approach your subjects and your work.

• Cultivating your subject’s confidence and trust – the foundation of authenticity
• Portrait psychology – motivating your subject, reducing their anxieties
  and getting them to open up
• Creating and controlling your shooting environment – finding your light,
  using closed sets, using and choosing less equipment
• Unconventional casting techniques
• Style vs. technique
• The use of voice inflection, inner narratives, positive feedback,
  deliberate imperfections
• Reading and sending body language – mirroring others’ moods and energy levels,
  and how to get them to mirror yours
• The use and timing of mood altering substances such as wine, sugar and caffeine
• When to throw potatoes…and a million other things…

This is an intensive group class and together you will cover a ton of ground. Cameras, notepads and/or voice recorders are highly recommended!

 When: Saturday, March 28^th 2015 from 9am-4pm
Where: Harrison Photographic, 930 W. Ivy Street San Diego, CA 92101
Cost: APA Members $100; Student, ASMP, MOPA & 3S $125; NON-Member $150

RESERVE YOUR SPOT TODAY HERE!

ABOUT BIL ZELMAN

Over the years Bil Zelman’s campaigns and editorial work has required his images to convey very specific expressions – satisfied vs. happy, pride, elation, celebration, rivalry, defeat, consolation, intelligence, being “lost”, absorbed, pensive and a slew of others.  Figuring out ways to make those people genuinely FEEL those emotions vs. acting them out is the secret to creating powerful, lasting imagery.

“Zelman’s lecture was so jam-packed with insight I couldn’t write fast enough. It was as if he dumped his entire life’s experience onto the table”!  John S. Photo Expo NYC 2013

“So very well thought out and insightful. (Zelman) has obviously spent a lot of hours deconstructing the minutia of his workflow and presented them in a way that will certainly improve my own work”.  Rachel P. Photo Expo NYC 2013

“Bil’s seminar was brilliant and hysterical and fast paced. He (really knows) how to cover a lot of ground efficiently and entertainingly.”  Anonymous attendee CSCA Ohio Stat

Zelman’s been attacked by a neck-biting monkey while snapping shots of sloths in the Amazon, floated on icebergs in Patagonia, sailed through the Bahamas with Alexandra Cousteau and shot in over 30 countries.  He’s partied with Gaga; cracked up the “it” girl of comedy, Kristen Wiig, getting her to squawk like a bird for a portrait; and shot David Bowie as his first megastar assignment at the ripe age of 20. Since then, Taylor Swift, the Rolling Stones, Ozzy Osbourne, Tony Hawk, Jerry Seinfeld, and myriad other A-listers have all posed for him.

Consistently touted as a Top 200 photographer worldwide by Lürzer Archive, Zelman has shot and directed dozens of international advertising campaigns for brands such as CocaCola, Jim Beam, Harley Davidson, Bud Light, Guinness and Apple. His work has been shown or collected by The Museum of Photographic Arts, The Museum of Contemporary Art, The Lucie Foundation, FCMOA, The Center for Photographic Arts, The Center for Fine Art Photography, The Center for Exploratory and Perceptual Arts,Newspace Center for Photography, The Portland Museum of Art and many others. His most recent book Isolated Gesture was awarded an Art Director’s Club award by Albert Watson.

© Michael Grecco

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