Inside the Studio with Dan Winters

D_winters_studio-1Photo © Remo Buess

APA | SD welcomes Dan Winters back with a look into his philosophies and stories from a life spent behind a camera. Join this online conversation and hear Dan respond to questions about his photographs and his approach to making art: past, present and future. We invite you to participate and submit your questions for Dan to be answered in this exclusive online event. Be sure to register and submit all questions in advance to by Wednesday, June 24th, at 6PM (PST) for consideration. Dan will address as many questions as possible virtually on Saturday, June 27th, at 3PM (PST.)

Dan Winters is an award-winning photographer who is best known for his celebrity portraits, photojournalism and illustrations. His work has been featured in a variety of publications including GQ, Vanity Fair, TIME, The New York Times MagazineNational Geographic, The New Yorker, Rolling Stone and WIRED. His range of clients include HBO, Amazon, Netflix, Apple, Microsoft, Samsung, Warner Brothers, Paramount, Universal, Sony, RCA and Interscope. He’s had multiple solo gallery exhibitions in New York, Los Angeles and a solo exhibition at the Telfair Museum Jepson Center for the Arts in Savannah. His work is in permanent collections at the National Portrait Gallery, Museum of Fine Art in Houston, the Telfair Museum and The Harry Ransom Center.

Aside from an impressive client list and overall body of work, Dan has a collection of photography books that chronicle his career in photography with one dedicated to his shooting 30 years of New York street photography. He currently splits his time between Austin, Los Angeles and Savannah Georgia with his wife and son.

RSVP for event here.


APA Awards Call for Entries is now open!


Our annual competition is open to all photographers at every level, worldwide — everyone from emerging photographers to established professionals.

Our Judges will select 43 APA Award Winners this year.

APA members save on each entry.  APA Leader level members save over 35% on each image.

Now is a great time to join APA : enter enough images and your first year of membership can be free.

Like to upgrade? Please email:

Awards Deadline: Thursday, July 9


Statement from APA



Black Lives Matter.
American Photographic Artists (APA) stands in solidarity in the fight against racism and injustice. We support the outrage felt by our community, and we acknowledge that we can be doing more. We have taken the step of creating a National Diversity Committee, and we apologize for not doing it sooner. Our commitment to diversify our leadership at the local chapter level is ongoing- if you are interested in being a board member or have suggestions for how we can improve our commitment to diversity, we want to hear from you.


We know that there are inherent risks in photographing demonstrations. We encourage you to prioritize your safety and the safety of those you are photographing. We have compiled a list of resources for photographers covering protests and we encourage you to read through these before you go out to document:

•    Do no Harm: Photographing Police Brutality and Protests
•    Guide to Ethically Covering Protests
•    NPPA : How to stay safe while working on the street 
•    ACLU: Know your Rights When Photographing a Protest
•    Wired: How to Safely Protest, What to Bring, What to Avoid, and What to do


•    Authority Collective list of Resources for Photographers and Beyond on Anti-Racism

•    Support Photographers of Color

•    Resources to Support Protests and Communities Against Police Violence

•    Art for Social Justice Fund 


For more info and resources please click here.

Personal Work Virtual Roundtable | Postponed NOW June 10th, 2020

Do you have a photography project or series you’re passionate about? Curious what your peers and others think of it? Join APA | SD in a virtual roundtable on Wednesday, June 10th at 4 PM PST, to share your own work or to comment on the work of others. Five photographers will be selected to present and discuss their personal photography projects in a virtual critique session. Send us a link to your project and we’ll review and discuss how this work benefits you, your clients and our industry. You’re encouraged to share personal work along with client work to help inspire our community.

WHEN: Thursday, June 10, 2020 | Roundtable starts at 4 PM

WHERE: Online | Link will be sent out upon registration

COST: Free and Open to All

Reserve your spot today here!
Be sure to RSVP by 2 pm on June 9th, 2020

Sponsored by:




MEET. C. Fodoreanu

© C. Fodoreanu

Meet San Diego based photographer and APA member, C. Fodoreanu.

What is your camera of choice?
I have been using Nikon cameras along the years, currently I’m using a D850.

What do you listen to when you’re shooting?
I usually shoot in silence.

Who were your biggest influencers?
I realize that everything I see, every image I connect with (ie. photography, painting, drawing) leaves a mark on me. I really like anatomical drawing from the renaissance period, such as Andreas Vesalius or Leonardo Da Vinci. I also like photographers who push the boundaries by creating a reality, rather than just depicting it – a good example is the pictorialism movement. I also tend to appreciate photographers who have the human body as their subjects.

What was the best piece of advice you were given starting out?
Follow your instincts. Get to know your camera really well. Don’t be afraid to explore and make mistakes. Be yourself and create art that is true to yourself and not aligned to what is trending at the time.

What have been some of the highlights and challenges of your career so far?
My first solo show in 2011 in Boston, MA during Harvard Arts First festival. Also, having one of my photos on the front and back cover of the yearly UCSD School of Medicine art and literature magazine ‘The Human Condition.’ Additionally, I recently had a number of solo shows at Cornel/Henry Art photography gallery in Arts District Liberty Station in San Diego. I am the co-director of this gallery that I recently started in order to promote emerging local photographers. We are planing to showcase artists photographers who align their style with our vision statement. Besides offering to promote and exhibit for free in our gallery, selected artists also have the opportunity to be showcased online at Artsy, and in our semi-annual upcoming photography magazine ‘Cornel/Henry Sees’. Details can be found here. Also, I am proud to have solidified my online presence with a newly designed website and a strong following on Instagram.

Did you learn through experience, school, other?
I am physician by training, so I learn photography by trial and error. In a way I think that is a blessing, developing as an artist outside of any normative, institutionalized confinements. I remember the first time I held a camera in my hands taking photos of the mountain snow not knowing how to manually advance from one frame to the next, creating double exposures by mistake. Today, my style seems to refine towards long exposures photography, strikingly similar to those incipient double exposures.

When were you first introduced to Photography?
As a young boy, my father gave me an old rustic manual camera. He had been taking family photos with it for the longest time. The photos he took where very influential to me. I started taking photos trying to copy his style. They were all black and white photos of our family and friends.

What 3 words describe your photography style?
Poetry of light.

What is your best marketing advice for your peers?
Be on Instagram and Facebook.

Check out more work from C. Fodoreanu!



Photo © Tim Tadder 


Art for Assistants is a thoughtful and timely response to the Covid-19 pandemic. The sale of limited edition prints help support photo assistants. This new campaign aims to turn paper and ink into financial support for photography assistants – the often-unsung heroes who work side-by-side with many of our favorite photographers, and who, like many others, have had their work and their incomes come to an abrupt halt.

Photographer Tim Tadder spearheaded this initiative then invited two photographers, who in better times employ assistants on a regular basis, to raise money for these recently out of work team members.  One of those photographers, Shaun Fenn has been instrumental in getting the word out.

Shaun Fenn stated, “I think this is a fantastic idea, and a way for us to give back and a way for you to obtain some beautiful artwork at a reasonable price knowing you’re also doing some good for some hardworking people.”

The program requires a 100% commitment from photographers who participate. Each photographer agrees to sell a limited edition of 100, 11”x14” prints of their own work, for $100 each. They create their own Go Fund Me (, page and then utilizes their social media channels to get word out using the #artforassistants hashtag. The photographers cover all costs, including the printing and shipping, and pledge to give 100% of the proceeds of the sales of the prints to their Assistants (minus the 3% for Go Fund Me). They are also personally responsible for the printing and fulfillment of their prints.

Epson was instrumental in the kick-off of this project and helped provide some of the initial resources. Photographers who want to take the pledge (and are in a financial position to cover the costs to be in the program) can contact Tim Tadder’s studio for help in setting up their Go Fund Me pages and to get a list of resources for purchasing mailing tubes, glassines and shipping labels.

Photographers participating in this effort to date include:

Erik Almas
Andy Anderson
Paul Elledge
Shaun Fenn
Randal Ford
Laurie Frankel
Dan Goldberg
Nick Hall
Jason Lindsey
Michael Muller
Frank Ockenfels
Brian Bowen Smith
Rennie Solis
Art Streiber
Tim Tadder
Dan Winters

Almas, Ford, Ockenfels, and Tadder have already met and exceeded their goals, and more participant photographers are added each day as this campaign gains steam.

To learn more about how you can contribute to this very important cause, please check out this Go Fund Me page, which continues to add photographers.

Please remember you can support the project, and support photo Assistants, by donating any amount, not just through the purchase of a print.

Photographers interested in taking the pledge themselves please contact 

More info can be found on APA National’s page.

Making the Move to Motion

APA_motion_eventbritePhoto credit: Gary Allard

Have you made the move to making movies?
Now’s your chance to show off your directorial dexterity at the upcoming screening roundtable discussion ‘Making The Move To Motion.’ Send us your 5-minute (max) motion project (on any topic) and join us on Thursday, February 20th for APA San Diego’s silver screen event. Popcorn and beverages will be served.

The most interesting and accomplished pieces will be selected and shown large, so compress to impress.

All levels of photographers and cinematographers are encouraged to join the night’s discussions.

To submit, please send a link to by February 17th.

We will screen as many submissions as possible.

WHEN: Thursday, February 20, 2020
Doors open at 6:30 PM, Event starts at 7 PM

WHERE: Riverdale Studios
6314 Riverdale St., San Diego, CA 92120  |  619-280-9900

SPECS: 1080p  | .mp4  | Limit 2 submissions per person  | Max 5 minutes long, including credits

We are professionals and license our photos, so be sure to license any music, etc., in your video

COST: APA | SD Members: Free
Students & Affiliates: $5.00
Non-members: $10.00

Reserve your spot today here!

An Evening with Frank Ockenfels 3

Thank you to everyone who joined us at MOPA for An Evening with Photographer Frank Ockenfels 3. We were happy to see some new members and friends along with many familiar faces from our creative community. Frank gave an inspiring presentation while sharing some compelling personal and professional work from his new book, Volume 3. 

We appreciate the support of our sponsors and partners who help make these memorable events possible.

Photos © Stacy Keck

An Evening with Photographer Frank Ockenfels 3

FO3_FB_event© Frank Ockenfels 3

APA San Diego and MOPA are proud to welcome acclaimed photographer and director, Frank Ockenfels 3. Join us for a special one-night event including a photographic talk and slide presentation about his new book, Volume 3 at the Museum of Photographic Arts in the Joan and Irwin Jacobs Theater.

Frank Ockenfels 3 is an American photographer, artist, and director based in Los Angeles, California. He is renowned for his portraiture and incorporating non-photographic elements in his work. Ockenfels applies techniques like collage, painting, and drawing to his photographs. His career began working for magazines such as Rolling Stone, Spin, Vanity Fair, New York Magazine, and Vogue. He photographed over 200 album covers for various musicians. Additionally, he has created countless campaigns for major television and movie clients. Other advertising clients include Nike, K Swiss, Reebok, and Hennessy. Frank Ockenfels 3’s work has been in demand for over three decades.

Frank’s ability to adapt to any situation as well as staying away from the obvious seem to be qualities that set him apart from other photographers. Frank thrives on pushing the boundaries of digital photography and believes in collaborating. In many ways Frank is unconventional. He believes that photography can still have moments of purity without being overly conceptualized or retouched.

Frank recently published his first book entitled, Volume 3. This book provides a window into his visual thinking-the internal world of imagery and emotions in his mind. Subjected to ink, collage, or paint, the images are no longer just photographs of an individual, but become a more personal statement of who the artist is, of his psyche and as such, creative artistry in its purest form. The erotic, the sublime, and the violent collages are blended with portraiture that seamlessly complements each other. The photographic creations become tactile, bringing another dimension of sensory experience.

To check out Frank’s work, go to:

Thursday, January 23rd, 2020 | Doors open at 6:00 pm, Event begins at 6:30 pm

Museum of Photographic Arts | 1649 El Prado | San Diego, CA 92101

APA & MOPA Members: $15
Students: $15
Affiliates (AIGA, ASMP, YBH, LPW, PEC): $20
General Admission: $25

Tickets $5 more at the door!

Purchase tickets here today!

Sponsored by:


APA_Sponsors_0006_Layer 1


MEET. Dennis Burnett

DennisBurnett_04DennisBurnett_05© Dennis Burnett

Meet Austin based photographer and APA member, Dennis Burnett.

Who are your top 5 favorites that you’re following on Instagram?
@adamvoorhes, @kylejbean, @thedailyshow, @magnumphotos, @nytmag 

What is your camera of choice?
For a very long time, 15 years or so I was strictly a canon shooter. However the last three years I have made a serious investment into the Sony family. The Sony AR7IV is a wonderful tool.

What do you listen to when you’re shooting?
While I’m shooting I try to stick with anything with an upbeat rhythm. Spotify channel called focus / Brain food is usually a good bet. If I am retouching or processing imagery. I will listen to a podcast. It could be anything from Chase Jarvis, Futur or the wondery. 

Who were your biggest influencers?
I am big fan of Alec Soth, William Eggleston and Martin Parr. I try to look at anything but photography for inspiration sometimes for example. Graphic design, Painting etc. Especially for color palettes for still life work.

What was the best piece of advice you were given starting out?
My father said, if your on time you are 15 minutes late.

What have been some of the highlights and challenges of your career so far?
The hardest challenge in my career was when I moved to Austin Tx back in 2015. I knew only one person. It was my girlfriend at the time. I would get assignments from craigslist, shoot for other wedding photographers, It was a really lonely experience for some time. Fast forward 6 years and I just wrapped directing my first network television series. One should really try to develop a community no matter where you are in your career. 

Did you learn through experience, school, other?
I continue to learn and try and learn from every perspective. I got a BFA at Savannah College of Art and Design. From there I worked from the college from 2006-2012. Here is where I learned true hands on experience. Each year I averaged over 150 shoots a year ranging from architecture, still life, portrait, lifestyle etc. However, I did not learn much about the business aspect of photography. This is something I think you have to learn from trial and error, through mentorship and being inquisitive. I also still use youtube to learn. 

When were you first introduced to Photography?
I received a camera as a present my sophomore year of boarding school.

What were you doing before you became a Photographer?
In my mind I have always been a photographer. However my first job was at Wal-Mart in the pet department.

What 3 words describe your photography style?
Authentic, Honest, and Colorful

What do you want people to understand about the industry?
Its ever changing and it’s the photographers responsibility to sell their value.

If you weren’t a Photographer, what would you be doing?
I would be a Chef 

What do you do when you get stuck?
Slow down. Put my phone down and stop checking my emails. I would usually walk the dogs to get some fresh air and think.  There is a term called Forrest bathing which is basically sitting under a tree and taking in nature. 

Do you have a favorite podcast?
I have a few different categories that I really enjoy. American history, true crime and industry related materials. Here is a list of a few in no particular order. The Wondery Dr Death, The go creative show, Chase Jarvis, Detective Trapp, Dear Art Producer.

What is your best marketing advice for your peers?
Keep shooting, creating, making, Don’t wait for a client to hire you to make an image.

What advice would you give to yourself if you could go back 10 years? 20 years?
My advice would be to just continue chasing the goal. For a long time I had a financial number in my head that I felt equaled success. Now that I reached that number it doesn’t mean anything. Another would be to stay true to yourself as an artist and don’t get distracted by others success or highlight reel of social media.

To read more about Dennis visit our website.
Check out more work from Dennis Burnett!